Shot 2 - Our second shot is a shot of the car from behind which includes the outside of the house in the shot. Again the house is reasonably big typical of a middle-class family.
Shot 3 - Next we need a shot of the Father stepping out of the car. We don not see his face to create tension and suspense.
Shot 4 - Our next shot is of the Father opening the front door. His face is still concealed to uphold the suspense.
Shot 5 - Shot 5 is of the Father inside the house shutting the front door. Face is still not shown.
Shot 6 - Behind shot of daughter doing her homework.
Shot 7 - Shot of Father telling daughter he is going out.
Shot 8 - In this shot the daughter gets up from doing her homework and shouts out to her Father. Using a variety of shots from different angles to show different implications. For example shot from a high angle on the stairs makes the girl feel small, like a victim.
Shot 9 - Daughter gets up from doing her homework. Panning shot from living room to hallway.
Shot 10 - Daughter walks upstairs. Low angle shot to show her going into the dark. Implies something sinister is about to happen.
Shot 11 - Daughter turns on light upstairs and goes into Father's bedroom.
Shot 12 - Daughter is in bedroom, begins searching through Father's cupboards. Panning shot from door to cupboards.
Shot 13 - Zoomed in shot of Daughter searching in cupboard. Box falls down.
Shot 14 - Zoomed out shot of Daughter picking up box and photos.
Shot 15 - Zoomed in on photos so we can see they are disturbing of stalked women.
Shot 16 - Zoomed in on computer where Daughter searches for the women in the photos.
Shot 17 - Zoomed out shot from behind Daughter, it leaves us wondering what she has found. Shot fades out.
Brad
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